Conducting Staff

Here, you can learn more about our conducting staff, which is responsible for making artistic decisions for the choir and facilitating rehearsals. Presently, our conductor is none other than the fantastic Dr. Andrew Clark, and our spectacular resident conductor is Jonathan Mott. You can read their biographies below.

Andrew Clark

Conductor

Andrew Clark is the Director of Choral Activities and Senior Lecturer on Music at Harvard University. He serves as the Music Director and Conductor of the Harvard–Radcliffe Collegium Musicum, Harvard Glee Club, the Radcliffe Choral Society, and the Harvard Summer Chorus and teaches courses in conducting, choral literature, and music and disability studies in the Department of Music. Since arriving at Harvard in 2010, Dr. Clark has conducted the Harvard Glee Club in performances at Carnegie Hall and the Kennedy Center and helped develop the Archibald T. Davison Fellowship Program, a community partnership with the Ashmont Boys Choir in Dorchester, MA. Under his direction, the Radcliffe Choral Society won the Grand Prize and two gold prizes at the International Competition for Chamber Choirs at Petrinja, Croatia in 2012. His performances with the Collegium Musicum of Handel’s Israel in Egypt and Rachmaninoff’s Vespers received critical acclaim, as did their recent debut with the Boston Modern Orchestra Project performing Arvo Pärt’s St. John Passion and Tigran Mansurian’s Requiem in Jordan Hall. Clark has organized Harvard residencies with distinguished conductors, composers, and ensembles, including Sir John Eliot Gardiner, Sweet Honey in the Rock, Harry Christophers, and Maria Guinand. He has commissioned numerous composers and conducted important contemporary and rarely heard pieces as well as regular performances of choral-orchestral masterworks.

His choirs have been hailed as “first-rate” (Boston Globe), “cohesive and exciting” (Opera News), and “beautifully blended” (Providence Journal), achieving performances of “passion, conviction, adrenalin, [and] coherence” (Worcester Telegram). He has collaborated with the National Symphony, the Pittsburgh and New Haven Symphonies, the Boston Pops, the Rhode Island Philharmonic, the Boston Philharmonic, the Boston Modern Orchestra Project, the Trinity Wall Street Choir, the Washington Chorus, Stephen Sondheim, and Dave Brubeck, among others.

Prior to his appointment at Harvard, Clark was Artistic Director of the Providence Singers and served as Director of Choral Activities at Tufts University for seven years. He previously held conducting posts with the Worcester Chorus, Opera Boston, and Clark University. Clark currently serves as a founding faculty member of the Notes from the Heart music program near Pittsburgh, a summer camp for children and young adults with disabilities and chronic illnesses. He earned degrees from Wake Forest, Carnegie Mellon, and Boston Universities, studying with Ann Howard Jones, David Hoose, and Robert Page. He lives in Medford, MA, with his wife Amy Peters Clark, and their daughters, Amelia Grace and Eliza Jane.


Lorraine Fitzmaurice

Resident Conductor

Lorraine Fitzmaurice is a Boston-based conductor and singer who builds community and increases access to classical music through her ensembles and large performance projects. Born and raised in Billerica, MA, Lorraine has degrees from Cornell University (BA, Music), and the Zürcher Hochschüle der Künste (MA Sacred Music, Specialty Choir Conducting). Her academic work includes the performance practice of Hildegard, Gregorian chant, and other early music. In the summer of 2017, she founded Quorum Boston, an LGBTQ vocal ensemble dedicated to queering the classical music canon and showcasing the work of living, local queer composers. Lorraine was also the founding director of the Longwood Chorus as well as the Camberville Somer-Choir, and has conducted ensembles including Musica Sacra, the Boulder Opera Company, the Lilac Players, and Carduus Choir. She enjoys singing in her friends’ church choirs and vocal ensembles. Lorraine has a passion for teaching, from baby and caregiver lap-music classes to k-12 students to putting on musicals with senior citizens. Her philosophy is that every choir, no matter how professional, is a community unto itself and exists for the public good. She is excited to continue this approach with the Harvard-Radcliffe Collegium Musicum. Outside of music, she enjoys being an aunt, farming, building things, and hanging out in the woods.
A member of the Harvard Choruses
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